Posts tagged Amedeo Modigliani

Suzanne Valadon. Artist, Muse and Mother.

Suzanne Valadon (1865 – 1938) was a French painter. She became the first woman painter admitted to the Société Nationale des Beaux-Arts. She is also the mother of painter Maurice Valadon Utrillo.

The daughter of an unmarried laundress, she was a poor, uneducated child of the streets of Paris. From the age of 9 Suzanne supported herself by doing odd jobs, and being an extremely beautiful girl she found much work as a model before becoming a noted painter herself. The main reason for modelling was the desire to observe and learn the artists’ techniques. She modelled for Henri de Toulouse-Lautrec, Pierre-Auguste Renoir, Pierre-Cécile Puvis de Chavannes, Amedeo Modigliani and others. In the early 1890s she befriended Edgar Degas who, purchased some of her works and encouraged her efforts.
She was said to have had affairs with many artists she posed for and worked with. They all admired her personality and free spirit, and were happy to be her friends and teachers. 
At the age of 18 she became the mother of painter Maurice Valadon Utrillo, who became one of Montmartre’s best-known street scene artists. The father of Maurice remains unknown. 

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Amedeo Modigliani and his landscapes

As we all know, Modigliani’s entire career was a lifelong inquiry into the human nature. What comes to our mind when we hear his name? Most probably his exquisite nudes and unique psychological portraits. His art is a “great gallery of people” (cit.1) that expresses “nothing but a mute affirmation of life.” (cit.2)

However, Modigliani did try his hand at landscapes. During a trip to the South of France at the end of his career he painted these typical views of the Cote d’Azur. In their treatment, in the contrast of softly rounded forms with static elements, the landscapes of Modigliani are said to recall the work of Andre Derain.

cit.1 the Russian writer Ilya Ehrenburg

cit.2 Amedeo Modigliani

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Amedeo Modigliani
Young Red Head in an Evening Dress, 1918, oil on canvas, Barnes Foundation, Merion, Philadelphia, USA.
Modigliani’s love of rusty and coppery reds is shown in the glorious hair of a young woman. She is dressed in a black evening gown and seated in a open pose. He frequently charged the flesh and hair colors of his sitters with gold and red tones to make them emerge from a background.

Amedeo Modigliani

Young Red Head in an Evening Dress, 1918, oil on canvas, Barnes Foundation, Merion, Philadelphia, USA.

Modigliani’s love of rusty and coppery reds is shown in the glorious hair of a young woman. She is dressed in a black evening gown and seated in a open pose. He frequently charged the flesh and hair colors of his sitters with gold and red tones to make them emerge from a background.

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Amedeo Modigliani
Blonde Nude, 1917, oil on canvas. 

Amedeo Modigliani

Blonde Nude, 1917, oil on canvas. 

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Amedeo Modigliani
Girl with Braids, 1918, oil on canvas, 60 x 45.5 cm, The Nagoya City Art Museum, Nagoya, Japan.

Amedeo Modigliani

Girl with Braids, 1918, oil on canvas, 60 x 45.5 cm, The Nagoya City Art Museum, Nagoya, Japan.

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Amedeo Modigliani
 Portrait of Jeanne Hébuterne, Common-Law Wife of Amedeo Modigliani, 1919, oil on canvas, 55 x 38 cm, private collection.

Amedeo Modigliani

Portrait of Jeanne Hébuterne, Common-Law Wife of Amedeo Modigliani, 1919, oil on canvas, 55 x 38 cm, private collection.

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Amedeo Modigliani (1884 – 1920)
Portrait of Jeanne Hébuterne (1898 -1920), Common-Law Wife of Amedeo Modigliani. 1918. Oil on canvas. 92 x 60 cm. Private collection.

Amedeo Modigliani (1884 – 1920)

Portrait of Jeanne Hébuterne (1898 -1920), Common-Law Wife of Amedeo Modigliani. 1918. Oil on canvas. 92 x 60 cm. Private collection.

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What I am seeking is not the real and not the unreal but rather the unconscious, the mystery of the instinctive in the human race.

Amedeo Modigliani

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Amedeo ModiglianiJeanne Huberterne in Large Hat,  ca. 1918, oil on canvas, 55 x 38 cm, private collection.Jeanne  Hébuterne, the shy student who would become painter and sculptor Amedeo  Modigliani’s final muse. Jeanne’s  swan-necked, delicate beauty  complemented Modigliani’s elongated style  of painting and she posed for  several works, including Portrait of a Woman In Large Hat.

Amedeo Modigliani

Jeanne Huberterne in Large Hat, ca. 1918, oil on canvas, 55 x 38 cm, private collection.

Jeanne Hébuterne, the shy student who would become painter and sculptor Amedeo Modigliani’s final muse. Jeanne’s swan-necked, delicate beauty complemented Modigliani’s elongated style of painting and she posed for several works, including Portrait of a Woman In Large Hat.

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